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指導碩博士論文 |
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1. |
吳新發 2003
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The Development of Metatheater: An Analysis of Pirandello's "Each in His Own Way" and Dario Fo's "Accidental Death of an Anarchist" |
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駱宛姿 |
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2. |
吳新發 2003
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Violence and Re-vision of History in Heiner Muller's "Hamletmachine" |
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林佑貞 |
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3. |
吳新發 2004
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Ritual Performance in Harold Pinter's "The Homecoming" and Edward Albee's "Who's Afraid of Virginia Woolf?" |
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李佳錞 |
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4. |
吳新發 2005
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Ethics, Subject and Big Other in Georg Buchner's "Danton's Death" |
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吳宜瑾 |
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5. |
吳新發 2005
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Misreading Tom Stoppard: Alienation Effect and Intertextuality in His "Rosencranz and Guildenstern Are Dead" and "Dogg's Hamlet, Cahoot's Macbeth" |
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鄧安妮 |
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6. |
吳新發 2009
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The Minimalist Language and Space in Samuel Beckett's "Endgame" |
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張喻斐 |
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7. |
吳新發 2011
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流動的空間與消失的主體: 惹內戲劇中空間的後現代性 |
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林岳德 |
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